Warrior Ethic Chivalric Ethic
Beowulf Sir Gawain and the Green Knight
Heroic ideal Romantic ideal
Masculine Feminine
Primary virtues: Primary virtues:
Bravery (exhibited by strength) Bravery (exhibited by courage)
Loyalty (fealty) Honor (trouthe, covenant, word bonds)
Strength/brutality (king) Courtesy (gentilesse: "gentle knight," humility)
Duty (lord - thane) Courtly love (knight - damsel)
Women as subordinate/objects Women as delicate/needing love
comitatus Individual knight
God is feared and worshipped God as bride/lover - intimate theology
Both
works display some similar features:
Journey into unknown to confront "monster"
Frame (funeral in Beowulf, banquet in Sir Gawain)
Central character must prove heroism (following hero's journey: separation/initiation/return)
Use of alliterative storytelling--repeating sounds are emphasized more than rhyme
Ambiguous ending
Celebrate personal honor, loyalty, and lord-thane relationship
Poet may be presenting a critique of the subject as much as telling a story
But Sir Gawain has some key differences (in addition to cultural ethic):
Four parts (vs. 2 or 3) in its structure
Stanzas with bob & wheel (vs. unbroken two half-lines with caesura)
Timeframe (New Year to New Year vs. over 50 years)
Christian
(or NT) elements (grace, forgiveness, redemption) much stronger in Sir Gawain
than in
Beowulf (OT ethic: law,
vengeance) and woven into the fabric of the poem rather than "tacked on,"
as they seem to be in
Beowulf