Anoka Ramsey Community College Course: English 2225 (British Literature Since 1800) Credit Hours: 3 Time and Location: Tue/Thu 11:00 12:15, H118 Instructor: Steven Beste Office: H128 Office Phone: 763-433-1409 Email Address:
steven.beste@anokaramsey.edu Office Hours: Tu/Th: 7:15am - 8am; 10 - 11 |
This is the syllabus for English 2225 for the Spring 2020 semester. Check the course web page to be sure you have the latest information.
Texts:
Abrams: The Norton Anthology of English Literature, Tenth edition, Volumes D, E, and F
Jane Austen: Pride and Prejudice (Penguin Classics edition, 2003)Course Ground Rules:
1. Attendance is critical. If you have any questions about assignments or responsibilities, email or come see me before the next class. Know that you have a pool of 50 points in D2L for attendance. Each absence (excused or unexcused) subtracts 5 points from that pool. If you completed deplete the pool (10 absences), you fail the course.
2. If we take a quiz or exam in a class session you have missed, you must make up the test within one week of the test date. It is your responsibility to visit the Testing Center before one week expires. After one week, a grade of zero is given. There is no make-up time for the final exam: please be sure to attend that class session. Note: make-up exams are by design more difficult than the regularly scheduled exam.
3. Have all reading and writing assignments completed by the beginning of class. Expect to spend 4 to 7 hours per week of reading and writing outside of class time.
4. Plagiarized work is unacceptable. Please understand what this means and do not attempt to pass off the work of someone else as your own. If there is any question, I will ask you to produce proof that the writing is original.
5. Active participation in group and class discussions is essential. If you are naturally shy, explore ways in which you might contribute: participate in smaller groups, offer opinions when Im asking open-ended questions. If you are naturally talkative, share your thoughts with the class but be sensitive to those who may not be as willing to share: do not dismiss anothers opinion as wrong, and encourage or affirm what someone else has said if you agree. Above all, practice mannerly conversation.
6. Avoid disruptions, such as tardiness or active cell phones. This is not only distracting, but rude. Let's not have these interfere with our work together.
Description of Class Assignments:
You will have four types of assignments this semester:
reading, participation, analytical papers, and exams. Reading Reading assignments occur every week. While reading the
material, feel free to mark
up your text or any hand-outs to help you absorb what you are reading. Participation Classes will consist mostly of guided
discussion, so your participation is critical and will be noted (10% of your total grade, including attendance).
If necessary, unannounced quizzes may also be given and will count toward
this category.
There are two papers for this course:
one short
in length, and one moderate
in length.
The short paper will be a
2- to 3-page paper providing some cultural, biographical, or historical background on any
one work by one of the six
Romantic poets we
will read this semester. At least one outside
source should be consulted--I'll discuss how to document this source in
class, but check the resources below for more information (15% of your grade).
The longer paper will be an analysis paper on a topic of your choosing. You may want to
consult a topic suggestions list I will build to get some ideas.
This topic should cover in about about 4 to 5 pages a topic broader in scope than
just one work, and will require you to consult at least two
external sources to supplement your discussion, thus requiring a Works
Cited page (25% of your grade).
Both papers should be typed, double-spaced, and include a title page (with the paper title, your name, course title, instructor's name, and date) and page numbers. Simply staple your paper in the upper left-hand corner (no folders or plastic covers). Please note that five points per day will be deducted for late papers. No papers are accepted after one week beyond the deadline.
Literary analysis papers require a certain approach and format. I will discuss particulars in class, but there are other websites that might be used as resources for more information:
A thorough guide to poetry explication from the University of North Carolina provides the best overview of the explication assignment (and includes a couple of sample explications). Purdue University also has good information. Here's a PDF-formatted handout on how to explicate a poem.
The web has no shortage of resources for documenting outside material. Please make yourselves familiar with what MLA documentation requires and follow those guidelines. Here's a link to Purdue University's writing center, which is a good source for documentation. Please use whatever useful resources you may find for documentation. Inaccurate documentation is unacceptable for English literature classes. If you have questions, please ask.
Exams and Quizzes
There will be two 50-minute exams (each worth 15% of your grade) and a final exam (20% of your grade) that will include multiple choice, short answer, and essay sections.
Grading Scale:
A = 90 - 100%
Schedule of Classes and Assignments:
The following class schedule should be considered a guideline for what we hope to cover In English 2225. Depending on class discussions, and the nature of the reading assignments, our dates may vary. Please do keep up and be aware of what we intend to cover each class period.
Week 1: Jan. 14 & 16 |
Introduction to course
"The
Romantic Period," pp. 3 - 30;
"Balladry" (31-2), "Sir Patrick Spens" (36) |
Week 2: Jan. 21 & 23 |
The Revolution
Controversy and the "Spirit of the Age" (193 - 213) |
Week 3: Jan. 28 & 30 |
Preface to Lyrical Ballads (303 - 315) |
Week 4: Feb. 4 & 6 |
Wordsworth: "I wandered"
(345), "My heart leaps
up" (346),
sonnets (355 - 358) |
Week 5: Feb. 11 & 13 |
"Rime of the Ancient Mariner" (448) and "Kubla Khan" (464)
Lord
Byron: from
Don Juan (Canto 2: "The Shipwreck"
700 -
707) |
Week 6: Feb. 18 & 20 |
"Ode to the West Wind" (791), "England in 1819" (805), "To a
Sky-Lark"
(849) First exam |
Week 7: Feb. 25 & 27 |
John Keats: "When I Have Fears" (960), "Eve of St. Agnes" (961), "Ode to a Nightingale" (977) "Ode on a Grecian Urn" (979), "To Autumn" (1000) |
Week 8: March 3 & 5 |
Jane Austen, Pride and Prejudice |
Week 9: March 10 & 12 |
Pride and Prejudice
wrap-up No class on March 12th |
Week 10: March 17 & 19 |
|
Week 11: March 24 & 26 |
|
Week 12: March 31 & April 2 | Spring Break continued |
Week 13: April 7 & 9 |
Alfred Lord Tennyson: "Lady of Shalott" (147), "Ulysses" (156), In Memoriam (#124, 126 on pp. 217-8), "Charge of the Light Brigade" (221) Robert Browning: "My Last Duchess" (328) and Matthew Arnold: "Dover Beach" (433) |
Week 14: April 14 & 16 |
Gerard Manley Hopkins: "God's Grandeur" (594), "As Kingfishers" (595), "The Windhover" (596) (with questions) "The Late Victorians" (758) and Oscar Wilde from: The Critic As Artist "The Twentieth Century" (3 - 33), Wilfred Owen: "Dulce Et Decorum Est" (164) A good WWI website and a New York Times documentary about World War I's iron harvest. |
Week 15: April 21 & 23 |
William Butler
Yeats:
"Lake Isle of
Innisfree" (215), "Easter
1916" (221) "Second Coming"
(227), "Sailing to Byzantium" (230) Virginia Woolf: A Room of One's Own (392) Second exam will be conducted online this week |
Week 16: April 28 & 30 |
T.S. Eliot: "The Love Song of J. Alfred Prufrock" (654)
Dylan Thomas: "Fern Hill" (832),
"Do Not Go Gentle"
(833)
|
Week 17: May 5 & 7 |
"Nation, Race, and Language" (848);
Stevie Smith, "Not Waving But Drowning" (731), Philip Larkin, "Church Going" (924) |
Week 18: May 14 |
Final exam: Thursday, May 14th at 11:50 in H118 (unless we do this online) |