CAMBRIDGE CAMPUS Anoka Ramsey Community College Fall 2000 Course: Humanities 1171 (Honors Seminar) Credit Hours: 3 Time and Location: Tuesdays, 3:45 6:30, IS - 118 Instructor: Steve Beste Office: HUM 98A Office Phone: 689-7025 FAX: 689-7004 Email Address: bestest@cc.cc.mn.us Office Hours: Monday, 9 10; Tuesday, 2:30 - 3:30; Wednesday 9 11; Thursday, 9 - 10 |
This is a seminar course, which means that you should practice both your listening and speaking skills. Because this is an Honors course, more is expected from you in all that we do together this semester. Come to class prepared to discuss with me and your fellow classmates, bring provocative and insightful questions and comments about the reading material, and reflect on everything you hear and read.
At the completion of this course, you should be able to:
Texts:
Samuel Taylor Coleridge: The Rime of the Ancient Mariner
The Bible
Stephen Crane: The Open Boat
Joseph Conrad: Heart of Darkness
Mark Twain: Huck Finn
William Shakespeare: The Tempest
Herman Melville: Moby Dick
Course Ground Rules:
Description of Class Assignments:
You will have four types of assignments this semester: reading, participation, writing assignments, and individual and group presentations.
Grading Scale:Reading
Reading assignments occur every week. While reading the material, feel free to mark up the books or hand-outs to help you absorb what you are reading. Read slowly and carefully, paying as much to what is said as to what might be implied. Be a good critical reader.
Participation
Classes will consist mostly of guided discussion, so your participation is critical and will be noted. To share your responses to the readings, you will work in small groups on occasion to exchange ideas, generate questions, and perhaps lead discussions on an issue or a text.
In anticipation of our time together in class, please bring to class at least one question that you have about what you have read. It may be a question about the factual information, or it may be a speculative or interpretive question. We will use some of these to ensure that we discuss the issues that have triggered a response in you.
Written Assignments
There are two categories of papers for this course: one, a selection of four short response papers, and another longer, in-depth analytical paper.
The short papers are approximately 500-word, typed responses to an issue raised by our discussion. These are due the week following the class period in which the material that provoked you to comment was discussed. You may choose from any class period up to and including our discussion of the final text for our semester.The longer paper will be an analysis paper on a topic of your choosing on the issues we've raised concerning our topic. This assignment should be 4 to 6 pages long, and should include a complete Works Cited page. The paper is due the day you make your class presentation (see below), which means this must be submitted either December 5th or December 12th. Topics for this assignment need prior approval. Topics will need to be chosen by November 14th.
Both types of papers should be typed, double-spaced, and free of errors and corrections. The longer writing assignment should include a title page (with the paper title, your name, course title, instructors name, and date) and page numbers. All late papers will be penalized.
Presentations
While there is no mid-term or final exam, there is a presentation. Using the subject you have researched and studied for your longer 4 - 6 page paper, deliver a 15-minute presentation on your topic to the class. Exactly how we will conduct this will be determined both by class size and my additional thinking on this.
Schedule of Classes and Assignments:
The following class schedule should be considered a guideline for what we hope to cover in
Humanities 1171. Depending on the depth and length of class discussions, and the content
and nature of the reading assignments, our dates may vary. Please do keep up and be aware
of what we intend to cover each class period.
Week 1 - August 29 | Introduction to course: on origin and destiny...and water Discussion of water's destruction/regeneration images in literature and myth Review of texts and
our overall strategy |
Week 2 - September 5 | Religious waters The Bible:
Genesis, Revelation, other books |
Week 3 - September 12 | Water and the journey into the dark night of the soul: Samuel
Taylor Coleridge, Selected Poems |
Week 4 - September 19 | Journeying into eschatological darkness: Joseph Conrad, Heart of Darkness |
Week 5 - September 26 | Conrad continued, and discussion of modern equivalents Film:
Deliverance |
Week 6 - October 3 | Inter alias res: read Preface, Chapter 1: "The First Flood," and Epilogue: "Blue Gold" in Philip Ball's Life's Matrix: A Biography of Water (on reserve in the library). Then write a 1 - 2 page comparison of Ball's vision of water (its purpose, its uses, its importance, etc.) with any other author(s) we have read so far. In what way is the vision similar or in what way different? Because of the number of absences expected today (Nobel Conference attendees), attendance at this session is optional. Please submit your written response by class time. I will discuss with those who do attend (for as long as they'd like) on responses to this question. No
question sheet is due, and short papers on Joseph Conrad and Deliverance
may be handed in as late as next week. |
Week 7 - October 10 | Stephen Crane, Open Boat |
Week 8 - October 17 | Journey to salvation? Mark Twain: Huck Finn |
Week 9 - October 24 |
Final
discussion of Mark Twain: Huck Finn: are there
parallels?
|
Week 10 - October 31 |
|
Week 11 - November 7 |
Paper topic decision by today Film: Shakespeare in Love (to see cinematic treatment of Shakespeare and also to discuss theme of regeneration). |
Week 12 - November 14 | Introduction to Herman Melville: Moby Dick |
Week 13 - November 21 | Herman Melville: Moby DIck |
Week 14 - November 28 | Panel Discussion on Moby Dick Group
evaluation on issues and meaning of Moby Dick |
Week 15 - December 5 | Student presentations |
Week 16 - December 12 | Presentations continued May conclude with film, or roundtable discussion on the issues we raised this semester on our topic |