Captivity Narratives
Relevant
Authors:
-
John Smith
-
Mary
Rowlandson
-
Olaudah
Equiano
-
Frederick
Douglass
-
Harriett
Jacobs
A Basic Plot for Indian Captivity
Narratives:
- Capture
- Torment
- Accommodation
- Release
Mary Rowlandson’s Basic Elements:
- The attack and capture
- Description of the removes
- She wrestles with her faith
- She reflects on God’s role in the events
- The negotiation
- The release and reflections
More Detailed “Ingredients” of Indian
Captivity Narratives:
- Taking the heroine into captivity
- Details of the life of the Indians
- Gory descriptions of such acts as
scalping, cannibalism, torture, and slaughter of the innocents
- Descriptions of the mysterious wilderness
and strange landscapes
- Identification of the heroine’s
adventures with those of the individual Christian confronting the world on her
way to the celestial city
- The lurking, but rarely fulfilled, threat
of sexual violation by depraved pagans
- The constant fear of death
- Escape, or negotiation and release
Functions of Indian Captivity Narratives:
- A principle source of information about
Indians for the colonists
- Served as a justification of the Puritan
view of Indians
- A religious confessional
- A demonstration of the triumph of the
godly over the satanic aborigines and the wilderness
- The recapitulation of the trials of the
chosen of Israel and a sign of God’s testing of his elect
- A demonstration of the perseverance of
the saints – even when confronted by aboriginal agents of Satan himself
- The early counterpart of the later
dime-novel thrillers, through which most Americans came to know the frontier
Indian Captivity Narratives “Inspired”
Later Writing:
- 17th century (and later)
adventure thrillers set on the colonial frontier
- Tales of attack, capture, and escape
- Enormously popular
- Told of bravery and guile, of strange
places and exotic people
- Showed the triumph of the godly over
harsh wilderness and pagan evil
- Set the stage for the American cowboy
tales and the pioneer epics
- Anticipated the American Romantic fiction
writers – e.g. Cooper and Melville