Olaudah Equiano

 

Biographical Notes:

Born in Nigeria / Guinea / Senegal --> Angola

The Atlantic Rim

His father had slaves -- difference of African slavery

He was first captured by African slave traders

Later renamed Gustavus Vassa

"No black voice before Frederick Douglass spoke so movingly to American readers about inhumanity" (NAAL).

"In a literature replete with self-made figures who voyage from innocence to experience (some fictive, some not), Equiano's story stands -- in view of the actual horrors he suffered -- in a class quite by itself" (NAAL).

He defined himself as an African, not African-American, not Anglo-African.

Robert King did make it possible for Equiano to purchase his own freedom in 1766 (1766-1745 = 21 years old)

Once he gained his freedom, he never set foot on America soil again.

Skills: free servant, musician, barber, seaman

Lectured widely on the abolition of slavery

 

Text Notes:

Study the first paragraph carefully -- persona, purpose, audience, etc.

Look for comparisons of humans to animals (brutes) and animal imagery

Look for elements of superstitions / magic / spirits

The sea coast

On the ship

Look for references to Providences / Fate / Chance / Destiny

Look for references to God

Equiano's similarities to Franklin:

Authorial Intrusions -- directly addresses readers

Strategies of slave-holding:

"Nominal Christians" -- paradox? inconsistency? irony? -- profess one thing and do the opposite

Equiano often "plays right into their hands" -- a vicious cycle -- "he doubles his efforts" / "he does all he could"

Robert King, a Quaker merchant, who traded in "live cargo":

Quakers:

 

Study Ideas:

References to the Rev. George Whitefield -- see Benjamin Franklin and Phillis Wheatley

Consider connections to the Enlightenment period:

Consider connections to Benjamin Franklin and Samson Occom

Consider Occom and Equiano as "newcomers" to the "canon":

Consider the various literary genres (of the Enlightenment) that this text might fall into: