Transcendentalism

Transcendentalism, though based on doctrines of ancient and modern European philosophers (particularly Kant) and sponsored in America chiefly by Emerson after he had absorbed it from Carlyle, Coleridge, Goethe, and others, took on special significance in the United States, where it so largely dominated the New England authors as to become a literary movement as well as a philosophic conception.

The movement gained its impetus in America in part from meetings of a small group that came together to discuss the “new thought” of the time (the Transcendental Club).  While holding different opinions about many things, the group seemed in general harmony in their conviction that within the nature of human beings there was something that transcended human experience—an intuitive and personal revelation.  As the movement developed, it informally sponsored two important activities: the publication of The Dial (1840-1844) and Brook Farm (a utopian experiment in communal living).

Some of the various doctrines that have somehow been accepted as “transcendental” may be restated here:

Ultimately, despite these practical manifestations, transcendentalism was an epistemology—a way of knowing—and the ultimate characteristic that tied together the frequently contradictory attitudes of the loosely formed group was the belief that human beings can intuitively transcend the limits of the senses and of logic and directly receive higher truths and greater knowledge denied to more mundane methods of knowing.

The documents that most definitely give literary expression to general transcendentalist views are Emerson’s Nature (1836) and Thoreau’s Walden (1854).

[taken from Holman and Harmon’s A Handbook to Literature, 5th edition, 1986]