American Literature: 1914-1945
1900-1910:
The flourishing of the muckraking magazine expose and the corresponding novel.
Literary naturalism -- Norris, Dreiser, London
1910-1920:
The "virtual birth" of modern American poetry.
The founding of Poetry magazine in Chicago in 1912 by Harriet Monroe
The emergence of the Imagists
Realistic novels:
W.D. Howells
Willa Cather
Edith Wharton
Drama:
Eugene O'Neill
American Criticism:
Demanded a "usable past"
The First World War:
Produced a major dislocation of a number of talent writers who emerged from the war disillusioned with American idealism and crassness.
This post-war generation, considering itself self-consciously as a "lost generation," set about a repudiation of American culture in three ways:
1.) Expatriates: One group, largely from the East, went back to Europe and there published little magazines, waited on Gertrude Stein, took part in "dadaism," and formulated a polished and "symbolistic" style.
F. Scott Fitzgerald
Ernest Hemingway
Edmund Wilson
E.E. Cummings
Malcolm Cowley
Sherwood Anderson
2.) Revolters against the village: Another group, largely from the Middle West, came east and in Cambridge, New Haven, and Greenwich Village," produced satire aimed at the standardized mediocrity of the American village:
Ring Lardner
Sinclair Lewis
3.) Seekers of a tradition of order: Another group, largely Southern, repudiated the meaningless mechanism of capitalistic America by looking backward to a past that had tradition and order:
The Fugitive poets
The Agrarians
John Crowe Ranson
Allen Tate
Robert Penn Warren
Cleanth Brooks
William Faulkner
1920-1930:
October 1929: the stock market crash = the end of the prosperous twenties
1930s: the Great Depression
The New Deal
"The Red Decade"
Writers:
1930-1940:
The coming of the second world war put an end to the radicalism of the thirties.
The war and its aftermath resulted in an age of conformity and conservatism, bolstered by a burgeoning economy.
American life in the forties and fifties was marked by a tendency to conformity, traditionalism, and reverence for artistic form and restraint, although there was marked informality in social conduct and freedom of subject matter in art.
Questions?